Dmg Compassion Vs Pro C

Nine Compressors spanning the history of pro-audio.

  1. Dmg Compassion Vs Pro C 2
  2. Dmg Compassion Vs Pro C 6
  3. Dmg Compassion Vs Pro C Vs

Filthy and distorted to invisible and clean; tubes, optos, FETs, transistors and VCAs.

Jul 03, 2018  Compassion has this, BTW, but Compassion is also limited, in that it doesn't give me the options I need for dual release (I need shorter release on the transients and longer release for normal duties like Kotelnikov offers - not an option compassion currently gives). I get that you're a fanboy and you like DMG. Self-Compassion, Part 5: Self-Compassion vs. Self-Esteem Mindful Self-Compassion combines the skills of mindfulness and self-compassion, providing a powerful tool for emotional resilience. A randomized controlled trial demonstrated that MSC significantly increased self-compassion, compassion for others, mindfulness, and life satisfaction, as.

The tool you need for every session. Have a listen: download the demo.

Features

  • Revision A and D of the classic 76 FET compressor
  • British (G-Bus) and American (2k5) VCA bus compressors
  • 2A Opto compressor with lush valve output stage
  • Zener Comp/Limiter
  • 160 early VCA comp for drums
  • British E-channel console compressor
  • Mini Compassion!
  • Realtime SPICE simulation of hardware units
  • Common hardware mods like Sidechain filter and Response
  • Zero-latency
  • Quick, simple, ergonomic interface
  • Windows VST, VST3 and AAX as 32+64bit, RTAS 32bit
  • Mac VST, VST3, AU and AAX as 32+64bit, RTAS 32bit

Sound

  • Authentic end-to-end models with distortion and all
  • Digital compressor with variable curves based on Compassion
  • Classic compression sounds of the last 50 years
  • Controls to calibrate the plugin to match and replace hardware

Vision

  • Simple, streamlined interface
  • Mac Retina and Windows HiDPI support
  • Autolisten for configuring filters
  • Freely resizable
  • The sound of the past meets an interface for the future

Windows System Requirements

  • Vista / Windows 7 / Windows 8 / Windows 10
  • 32bit or 64bit
  • ProTools 7 or newer.
  • A host that supports VST or VST3, such as:
    • Steinberg Cubase
    • Steinberg Nuendo
    • Steinberg Wavelab
    • Sony ACID Pro
    • Ableton Live
    • Cockos Reaper
    • Magix Sequoia
    • Magix Samplitude
    • AudioMulch

Mac OS System Requirements

  • OS X 10.7 or newer, including Catalina (10.15)
  • Intel Mac
  • ProTools 7 or newer.
  • A host that supports VST, AU or VST3, such as:
    • Apple Logic (32bit or 64bit)
    • Apple Garageband
    • Steinberg Cubase
    • Steinberg Nuendo
    • Ableton Live

Specifically not supported (might work, but I can't test/support these platforms): Windows 95/98/XP, OS X 10.0,10.1,10.2,10.3,10.4,10.5,10.6

2.00 -> 2.01

  • Fix potential crash when double-clicking to enter value as text.
  • Fix potential crash when closing window whilst resuming playback.
  • Fix potential crash when switching models.
  • Output level compensation for 2A model for sessions and presets saved with v1.02 or previous.
  • Fix startup GR on 160 model.
  • GR meter zoom state stored with preset/session.
  • Fix MIDI learn in VST3 version.
  • Jumpstart 2A gain reduction on calling resume, to prevent gain jump on starting transport in AU version.

1.05 -> 2.00

  • Added global resizing
  • Added global oversampling
  • Added four new hardware models!

1.04 -> 1.05

  • Improved HiDPI support
  • Fix 2A model output phase
  • Support VST2 getEffectName for some rare hosts

1.03 -> 1.04

Dmg Compassion Vs Pro C 2

  • Fix AU validation in old not-really-supported versions of Logic
  • Reaper key entry improvements
  • HiDPI support in Cubase and Studio One on Windows
  • Improvements with discrete parameters drag/mousewheel
  • New LA2A output stage with more accurate implementation of brightness (works correctly with oversampling)
  • Markers draw improved

Dmg Compassion Vs Pro C 6

1.02 -> 1.03

  • New and improved 76D model. More accurate, lower CPU usage. Existing 76D instances will reload using the older model; reselect the 76D model to update
  • Oversampled output stage for 2A model
  • Fix denormals in side chain EQ
  • Fix setting current AB bank on loading a preset
  • Warn user if 76D or 2A data files are missing.
  • Mac build now requires 10.7 or later
  • Improve menu position when opening a menu would cause it to appear offscreen
  • AAX Mac window focus improved
  • Fix potential crash when file saving fails
  • Fix crash when closing UI with text box open
  • Fix crash with text entry on touchbar MacBook Pro
  • Fix potential crash when closing UI
  • Prevent Cubase/Nuendo right-click menu from appearing when right-clicking on a clutter bar button that accepts right-clicks
  • Support for mono->stereo AU
  • Installer searches for existing VST plugins folder for 64-bit plugins on Windows if run for first time
  • Correctly sign Windows installers with Codesigning cert
  • Improve text and layout for Windows installers
  • Improve install descriptions and logo for Mac installers

1.01 -> 1.02

  • Fix GR metering in mono instances
  • Fix 'manual' sidechain listen mode
  • Fix very obscure crash loading in Logic X
  • Make slider behaviour smoother
  • Remove spurious DC bias in 76D mode (resolves issues with excessive distortion)
  • Report correct version number in Cubase VST2
  • Fix ProTools crash when selecting Ext sidechain but none is routed
  • Jumpstart resource loading to prevent weirdness in ProTools
  • Alt-mousewheel on snap-to sliders will cycle through values.
  • Extend E-Channel release time, and mark hardware ranges.
  • Flatten low-end response for 76D (assume higher input impedance on interface)
  • Jumpstart 2A GR to minimise pops when switching models
  • Manual edits
  • Improve 2A attack behaviour
  • Support VST3 GR meter in Studio One

1.00 -> 1.01

  • Add Q-Bias to 76 to allow calibrating aggression!
  • Rework 76 to avoid breakup
  • Rework 76 to implement proper hardware stereo linkage (prevents distortion on wide signals)
  • Prevent DC noise when adjusting 76 threshold
  • Fix issue with 2A compression
  • Fix linked GR metering
  • Added Sidechain filter for E-Channel
  • Fix vertical alignment of some text labels
  • Q-Bias/2A text in manual
  • Keep UI working when automating to empty Model settings
  • Redraw the red bars OVER the sliders
  • Stop grabbing keys in Logic X
  • Fix recall of A/B bank as displayed on UI
  • Persist GR zoom across UI open/close

TrackComp

TrackComp is a compressor designed for musicians, producers and mix engineers.

High sierra dmg to windows. And also TransMac –However, before to start the Dual booting of macOS High Sierra with Windows. macOS High Sierra Audio, Graphic, Bluetooth, WiFi, etc drivers –.

It has comparatively low CPU usage, zero latency, a streamlined workflow and features a collection of analogue and digital compressors.

The units included are:

  • DMG (Digital compressor)
  • E-channel (British console channel compressor)
  • G-bus (British console bus compressor)
  • 76D (Revision D FET compressor)
  • 2A (1960s valve and opto compressor)
  • 76A (Revision A FET compressor)
  • 160 (Very early VCA compressor)
  • Zener (Zener diode-bridge compressor)
  • 2k5 (American VCA stereo bus compressor)

The phrase 'SPICE simulation' commonly refers to using physics to predict the behaviour of a circuit, using a particular mathematical strategy. It is a method for circuit simulation that forms the foundation of the tools that electronic engineers use for design.

Dmg

Our approach has been to optimise SPICE for real-time usage; typically a simulation takes between ten and a hundred times as long to execute as the audio it is processing. We are very proud to have optimised implementations that typically run at <1% CPU core usage on modern processors.

Typically hardware modelling relies on the expertise of the designer to match the unit. SPICE instead creates a mathematical description of the unit from the circuitry itself, yielding a result as accurate as physics. This means we can capture all behaviours of the hardware.

In cases where the hardware had stepped controls, we have implemented these exactly, but in some cases also allow you to pick between switch settings to increase functionality.

STOP! Before you go plugin shopping, specifically for compressor plugins, take a look at this loving review by Gary Hiebner on Compassion by DMG Audio.

With so many plugins on the market—especially compressor plugins—how do you choose the perfect one? DMG Audio's Compassion has made this choice much easier. They have developed a plugin that could be the only compressor you’ll ever need. It has everything from analogue emulation compression to modern sounding compressor types with advanced circuit algorithms, and more. I will cover some of the features of this unique compressor plugin in this review. With so many features this is a plugin that you will never get bored of. Every time you use it there's potential to learn something new.


Step 1 – What Makes this Plugin Special

Dmg Compassion Vs Pro C Vs


The Compassion compressor is packed full of tools. It has compression, expansion/gating, side-chaining, transient shaping, and limiting capabilities. Which makes this more than just your average compressor! What makes this plugin very special is its visual graph aids. There is an audio window display that shows the waveform and the compression effects on the audio signal. This comes in handy when customizing the attack, release, threshold and ratio via the waveform. You get real-time visual feedback via the waveform graph that is in my opinion the biggest selling point with this plugin.


This visual guide will really help novices get their head around how compressors actually work and how they affect the audio signal path. I remember not quite understanding compressors when I first got into computer music production. It took quite some time until it made sense. Now with these visual aids, Compassion will really assist the beginner, and its advanced features will entice the intermediate to advanced user as well.


Step 2 – Presets/Modifications

Compassion comes with a few nifty presets, but what is very interesting is its Mods feature. Mods are a form of preset but with more configurable options. You can alter specific parameters and save them as a modification. This is a different way of looking at presets and is where you can find some of the compressor emulator modifications. The Mods are broken up into Characters, Compression Styles, and Utility functions.

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You can also save your own Mods for later use.


Step 3 – Advanced Mode

Here in Advanced Mode you have access to many more features that allow you to tweak your compression settings further such as the shape of your attack and release curves. For example: you can reshape your Knee in the graph.


You can even dial in negative compression values, which can completely change the way your compressor reacts to the audio, giving it a gradual increase to the threshold.


Step 4 – Transient Shaper and Side-Chain

The Transient shaper is very handy: after most compression you can lose some of the edge to your sound. The transient shaper will help bring back some of that edge. With the Advanced Section you can further tweak the transients.


Pro

The side-chaining features are amazing. There is an EQ section with high and low-pass filters with adjustable slopes, plus bell peak types. You can also add noise into the side-chain for more analogue response. Plus, there is the option for an external source as a side-chain source.


Step 5 – Preset Examples

Here are some audio examples so that you can hear the results of Compassion. I have used the presets that have come with the plugin. But so much more is possible with it.

Here is an example of the Bassline Smash preset on one of my synth bass lines.

Before:

After:



This is the Drum Transnap preset before on a Kick sample. You can really hear how the Transient Shaper affects the attack of the Kick.

Before:

And after:


Here is the Drums Bus preset on the drum channel of my one track.

Before:

And after:


There is also a Bus Compression preset called Main Bus. Take a listen how it affects the track.

Before:

After:


Compassion can also be used for creative processing: I have dialed in some settings using the Transient shaper and some of the other parameters in the compressor. Take a listen how it alters the sound quite drastically. You see how it can be used as an effect as opposed to a corrective tool on your audio.

Before:

After:


Conclusion

We're just scratching the surface of what is possible with Compassion. There are many other features to this compressor plugin. But once you get deeper into it you will find these hidden ‘gem’ features. I hope this demystifies some of Compassion’s interface and shows you some of the possibilities of this amazing plugin.


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